Umělec 1/2012 | List of all editions. | ||||
![]()
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
Read more...
If the monstrous nature of capitalism calls for monstrous comparisons, perhaps our method of evaluation should be monstrous as well. Wouldn’t this be the least we could do, assuming that we are already living a nightmare? Or must we preserve our humility evening in the face of horror, not succumb to the delusions of well-fitting metaphors and not fight the devil with his own tools?
Read more... ![]()
"In the best dictatorial tradition, Mugabe lives holed up in his luxurious urban palace in Harare. At night, the street leading past the giant property with the high wall and thick barbed wire is closed to traffic. During the day, people are allowed to drive down this important road and past the heavily guarded house. But woe to those who stop! Or take pictures! More than a few people have ended up dead as a result."
Read more... |
A Murder in Flatland: The Irruption of the Real in American Abstract Art
|
contemporartism
|
Douglas Dix
Show all ![]()
Post-Fordist working conditions wear a mask of openness, flexibility, and individual freedom. Criticism thus finds all the more difficult to achieve its objectives when it is literally attracted by institutions. Under such conditions, is it even possible to make art that is not part of the culture industry? Just like Kenneth Goldsmith in the opening text to this issue, these two British critics ponder the opposing tactics that, instead of attacking the concept of institutions, overpower it. Perhaps even art itself is built of nothing more than inertia.
Read more... ![]()
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Read more...
Send the printed edition of the magazine Umělec:
|