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| Umělec 1/2012 | Просмотр всех номеров | ||||
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Author dreaming of a future without censorship we have never got rid of.
It seems, that people don‘t care while it grows stronger again.
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"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."
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An excerpt from the planned collection of stories Four New Messages, about a frustrated copyeditor at a pharmaceutical company whose writing produces half-written characters, about his life, the sedative Nomenex, and the neon glow of burger franchises.
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TOП
My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution
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решения
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Kenneth Goldsmith
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If the monstrous nature of capitalism calls for monstrous comparisons, perhaps our method of evaluation should be monstrous as well. Wouldn’t this be the least we could do, assuming that we are already living a nightmare? Or must we preserve our humility evening in the face of horror, not succumb to the delusions of well-fitting metaphors and not fight the devil with his own tools?
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"Life continues, and capitalism shapes life in a way it has never been shaped before. If this isn’t something “new”, then the word “new” has been reduced to a meaningless insult. It must be reserved anew for the one and only thing that knows how to use it effectively, for the shoggoth-summoning regenerative anomalization of fate, for the unstoppable creation of a so infinite plasticity that nature collapse and dissolves before it. For the Thing. For Capitalism."
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