Umělec 1/2012 List of all editions.
"In Cameroon, rumours abound of zombie-labourers toiling on invisible plantations in an obscure night-time economy."

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Author dreaming of a future without censorship we have never got rid of. It seems, that people don‘t care while it grows stronger again.

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A nearly detective, but all archeological and art historical story about how one day the body of an attractive women was found by a river. Her name was Mary and she knew Kennedy. And Clement Greenberg. Somewhere among the complicated twists and turns of the ideological tensions of the Cold War, there may lie an answer – if not to the question of “Who is a murderer?” then at least as to how and why some realities meet and others pass each other by because – and thanks to – their origin in planes, spaces and points.

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Year 2012, 1
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Censorship could be defined as something that happens everywhere in the world, but not in America. There thus remains the need to explain those strange phenomena that readers of American newspapers sometimes encounter. We will ask Europeans; perhaps they will recognize something ancient in them.

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Octavian Esanu looks at the acceptance and rejection of what is “American” in a non-American environment, against the backdrop of an unclear understanding of freedom and the historically growing confidence of American art, which quite possibly stands behind the seemingly universal concept of “contemporary art.” Where the colonization of the spirit through an emphasis on contemporaneity still encounters resistance, the attractiveness of American shoes perhaps presages the strongest export – packaging, boxes, frames and vehicles.

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Radio Cake, 2014, acrylic painting on paper, 38 x 28, framed
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print on durable film, 250 x 139 cm, 2011 / signed by artist and numbered from edition of ten
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