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My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution Kenneth Goldsmith | solutions | 19.11.2012 15:29
MY CAREER IN POETRY OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE INSTITUTION
An American poet was invited to the White House in order to read his controversial plagiarized poetry. All tricked out and ready to do it his way, he comes to the “scandalous” realization that nothing bothers anyone anymore, and instead of banging your head against the wall it is better to build you own walls or at least little fences.
Terminator vs. Avatar: Notes on Accelerationism Mark Fisher | solutions | 01.02.2011
TERMINATOR VS. AVATAR: NOTES ON ACCELERATIONISM
Why political intellectuals, do you incline towards the proletariat? In commiseration for what? I realize that a proletarian would hate you, you have no hatred because you are bourgeois, privileged, smooth-skinned types, but also because you dare not say that the only important thing there is to say, that one can enjoy swallowing the shit of capital, its materials, its metal bars, its polystyrene…
On Artivism (In between Culture and Politics) Octavian Esanu | solutions | 01.02.2011
ON ARTIVISM (IN BETWEEN CULTURE AND POLITICS)
I To be among those Moldovans (a word that even the Microsoft Office spell-checker does not want to recognize) who call themselves “contemporary artists” is at times an awkward experience—for what is today called “contemporary art” seems to avoid places that lack vibrant business, financial opportunities and markets, or at least abundant fossil fuel reserves. To be a Moldovan activist…
Antonio Negri in The Porcelain Workshop Palo Fabuš | solutions | 01.02.2010
ANTONIO NEGRI IN THE PORCELAIN WORKSHOP
If we ask ourselves what (if any) unique message has been bequeathed to us by postmodern theory, the hardest work would be agreeing on what that message is. Its usefulness cannot be reduced to words like diffusion, ambiguity, mystification or mere skepticism; in all likelihood we would look for a solution in vain. The Italian neomarxist and political philosopher Antonio Negri, a leading…

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Limited edition of 10. Size 100 x 70 cm. Black print on durable white foil.
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This part is devoted to František Skála, the laureate of the Jindřich Chalupecký Award for 1991 and his work Lesojan (1998,...
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1999, 21 x 35.5 cm, Pen & Ink Drawing
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