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Indie Art and the Seventies Maja a Reuben Fowkes | study | 01.01.2006
INDIE ART AND THE SEVENTIES
‘You could have it so much better.’ (Franz Ferdinand) There are a number of reasons for reconsidering the art of the 1970s at this particular moment. The exemplary artist Marina Abramović has just re-enacted seven key performances from the 60s and 70s at the Guggenheim Museum New York during November 2005. “Seven Easy Pieces” consisted of Bruce Nauman’s Body Pressure (1974), Vito Acconci’s…
Nicht dieses Gemälde, das Andere Mihnea Mircan | study | 01.03.2005
NICHT DIESES GEMÄLDE, DAS ANDERE
Die Ausstellung im Neuen Museum für Moderne Kunst (MNAC) Bukarest, Das Museum der Malerei (The Museum of Painting), ist eine Studie über den typischen Stil der Portraitmalerei, den man im Allgemeinen mit dem rumänischen Diktator Nicolai Ceauşescu und den Darstellungen sozialistischen Fortschritts in Verbindung bringt. Diese Bilder, die einander bisher noch nie außerhalb ihres ursprünglichen…
Authentically Lived Stereotypes: The Hidden Phenomenon of Marriage Art Lenka Klodová | study | 01.01.2005
AUTHENTICALLY LIVED STEREOTYPES: THE HIDDEN PHENOMENON OF MARRIAGE ART
I am fascinated by the performances of Wladyslaw Kazmierczak and Ewa Rybska. Their many presentations are different, they are mostly political with poetic delivery of their subject matter, but I’m interested in them all in one particular way. When I see a middle-aged man and woman in tuxedos standing next to each other, I feel a strange tension emanating. Couples make me nervous, after all—much…
The Blurred Image Tony Ozuna | study | 01.04.2004
THE BLURRED IMAGE
My grandfather was already in his 50s when he first started to take pictures. He only photographed crowds—anonymous faces at high school football games, boxing or masked Mexican wrestling matches at the Olympic Auditorium in downtown L.A. I was his little companion at these events, yet I never even noticed that he was snapping away at faces in the audience, while I was watching Mil Mascaras (the…
New Fetishisms Cosmin Costinas | study | 01.03.2004
NEW FETISHISMS
A New Generation in Romanian Contemporary Art The most visible phenomenon on the Romanian contemporary art scene is the occurrence after the year 2000 of a seemingly homogenous young generation, between the ages of twenty and thirty. Indeed, this generation is currently engaged in an active process of defining itself as a group, as a “young generation,” with all associated implications. However…

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